€1.890,00
One of a kind
Or in 3 interest-free installments of €630,00
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Certificate of authenticity & invoice
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Examined with microscope & UV light
Dating, condition, and quality verified by our experts · Read the findings
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Worldwide · DHL / FedEx Express available
14-day cooling-off period
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Estimated value: €4,500 – €7,000. This Nepalese Buddha statue is a classic example of Newar work from the Kathmandu Valley. The Buddha sits in bhumisparsha mudra, with his right hand towards the earth and a begging bowl in his left hand. This detail is frequently seen in Nepalese statues and immediately gives the statue a recognizable character.
The form is calm and balanced, without appearing heavy or massive. The face is softly modeled, with half-closed eyes and a subdued expression. The hair consists of small, even curls with a distinct top knot. The double lotus throne is built high and carefully crafted, with a clear separation between the upper and lower lotus.
The statue is hollow-cast in a copper-rich bronze alloy and was originally fire-gilded. Remnants of this are still visible, especially in areas that have been touched less. The exterior has since developed a warm, natural patina. The open underside reveals a rough internal structure with mineral deposits, consistent with age and prolonged religious use. In style, finish, and iconography, this statue belongs in Nepal, dating from the 18th to early 19th century. Not a ostentatious piece, but a quiet, well-made statue with clear provenance and a credible history.
H 41 × W 26 cm
Each object is examined before it is offered: material, casting or carving technique, surface, and signs of age are compared with documented references. You will receive a certificate of authenticity and an official invoice detailing the period, material, and available provenance.
Fully insured worldwide shipping in museum-quality packaging. Returns are sent to our Dutch address and you have a 14-day cooling-off period.
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Our expert · research regarding this image
For more than 30 years, we have been researching Asian art. Each object is inspected in advance with a microscope and UV light. Findings regarding material, style, and iconography form the basis for our assessment of dating, condition, and quality — and for the price.
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