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1stbuddha

Monumental White Tara Sitatara – Late Qing Dynasty – 80 cm – 26.2 kg Gilt Bronze & Cloisonné

Monumental White Tara Sitatara – Late Qing Dynasty – 80 cm – 26.2 kg Gilt Bronze & Cloisonné

€34.000,00 EUR
€34.000,00 EUR
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A Monumental Altarpiece from the 19th Century

This monumental statue of White Tara (Sitatara) is a rare masterpiece from the late Qing Dynasty (c. 1870–1900). With an impressive height of 80 cm and a mass of over 26.2 kg, this object serves as a spiritual anchor in any room. In the Sino-Tibetan tradition, White Tara is known as the 'Mother of all Buddhas', who continuously watches over the well-being of all living beings from her seven eyes.

Spiritual Meaning and Symbolism

In accordance with the philosophy of 1stbuddha, priority lies with the spiritual and symbolic meaning of this object over purely decorative attributes. The seven eyes — situated in the face (including the third eye of wisdom), the palms, and the soles of the feet — represent her all-seeing compassion and her ability to see every living being in every realm. Her hand gestures (Mudras) of blessing and instruction remind the viewer that compassion and wisdom are the heaviest foundations of a fulfilled life.

Scientific Research & Forensic Findings

At 1stbuddha, we employ a rigorous, scientific approach to the validation of antiques. This object has been extensively analyzed using Dino-Lite microscopy and UV spectral analysis. Our key findings substantiate the historical substance of this masterpiece:

  • Corrosion analysis of the base: The original iron base plate has completely degraded (rusted out) over a period of at least 100 to 130 years. The remaining rust ring on the bronze flange is the result of a prolonged electrolytic process between the iron and the nobler bronze. This is an irrefutable indicator of the claimed age.
  • Microscopic metal structure: Dino-Lite images reveal clear, manual file marks beneath the patina. The presence of deep-seated verdigris (copper oxide) crystallized directly in these file marks proves that the metal was manually finished by a craftsman decades ago and has since undergone a natural oxidation process.
    • Enamel degradation (Cloisonné): The blue and red enamel shows microscopic pitting and gas bubbles (pinholes). This indicates the use of traditional 19th-century furnaces where temperature variation caused gases to escape from the glass mass. Additionally, mineral efflorescence is visible, indicating prolonged exposure to varying atmospheric conditions.
  • UV Spectral Analysis (365nm): Examination with UV light confirms the presence of authentic mineral pigments. The characteristic blue-green fluorescence of the turquoise enamel is typical of copper and cobalt oxides from the late Qing period and is absent in modern synthetic reproductions. A small, bright green spot under the cartouche indicates a historically justifiable repair or reinforcement, underscoring the authenticity of the object.
    • Iconographic Mass: Weighing 26.2 kg, this is a very thick-walled casting. The stability and substance of this bronze indicate a precious production, originally manufactured for a temple or a very wealthy private altar during the Imperial Revival period.

    Technical Specifications

    Object Monumental White Tara (Sitatara)
    Period Late Qing Dynasty (c. 1870–1900)
    Dimensions Height: 80 cm | Width: 56 cm
    Weight 26.2 kg
    Technique Lost wax casting, Gilt bronze, Cloisonné enamel
    Mark Apocryphal Qianlong Mark in relief (Imperial Revival)

    "This statue bears the scars of time as a testament to her history. Where the iron plate has perished, the bronze essence of the White Tara has remained indestructible. An undisputed masterpiece for the serious collector who values ​​forensic integrity."

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