Earth-Touching Gesture
Bhumisparsha Mudra Buddha Statues
Bhumisparsha Mudra: The Earth-Touching BuddhaThe Bhumisparsha mudra is one of the defining image types of Shakyamuni Buddha. The right hand reaches downward over the knee to...
Pieces in Bhumisparsha Mudra Buddha Statues
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A Monumental Ladakhi Fire-Gilt Bronze Figure of Shakyamuni Buddha, 18th Century
€8.500,00 -
A Striking Burmese Buddha in Red and Gold – 1970s
€975,00 -
Royal Burmese Buddha – Masterpiece of Thayo & Mirror Mosaic from Mandalay (c. 1900)
€8.790,00 -
Antique Burmese Mandalay Buddha Statue in Thit-si Lacquer and Gold Leaf – Konbaung Period, c. 1870–1895 (63.5 cm)
€1.490,00 -
Antique bronze Buddha statue with openwork elephant pedestal 34cm
€380,00 -
Monumental Vintage Balinese Hand Carved Wooden Jina Buddha – Monolithic Hardwood (60.5 cm / 7.1 kg)
€395,00 -
Monumental 19th-Century Bronze-Cast Buddha Shakyamuni on Openwork Altar Throne – Lan Na / Tibetan Style (52 cm)
€1.875,00 -
Antique 19th-Century Thai Bronze Sukhothai Buddha – Premium Heavy Casting (47.5 cm / 12.6 kg)
€1.980,00 -
19th-Century Burmese Mandalay Buddha – Solid Teak (50.5 cm)
€1.690,00 -
Antique Burmese Teak Mandalay Buddha - 19th Century - 27 cm (Premium Quality)
€975,00 -
Antique Ayutthaya Buddha Statue in Bhumisparsha Mudra – 17th/18th Century – Museum Quality Bronze
€895,00
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Bhumisparsha Mudra Buddha Statues
Bhumisparsha Mudra: The Earth-Touching Buddha
The Bhumisparsha mudra is one of the defining image types of Shakyamuni Buddha. The right hand reaches downward over the knee to touch or point toward the earth, while the left hand is commonly held in meditation in the lap. The gesture refers to the moment of awakening when the Buddha calls the earth to witness his right to enlightenment.
A gesture shared across regions
Bhumisparsha appears extensively in Indian, Burmese, Thai, Khmer, Lao, Himalayan and other Buddhist traditions. The mudra identifies the narrative and iconographic type; it does not identify a country or century by itself.
A Burmese bronze, Thai Sukhothai-style image and Tibetan gilt-copper Buddha can all use the same earth-touching gesture while differing completely in robe, pedestal, facial modelling and manufacture. Regional attribution therefore depends on the sculpture as a whole.
What to compare
Look at the proportions of the hand and fingers, the position of the wrist, the treatment of the robe, ushnisha and hair, lotus or plain pedestal, casting or carving method and surviving surface. Later workshops often continued established image types, so familiar iconography should never be confused with an early date.
For the broader posture category, browse Seated Buddha Statues, or compare regional examples in Thailand and Myanmar.