€395,00
One of a kind
Fully insured worldwide shipping · DHL / FedEx Express available
Dutch return address · 14-day returns
This bronze Buddha head was cast in Thailand as a free-standing bust during the twentieth century, around 1950–1980. The neck ends in a finished, slightly flaring rim, which shows it was made this way from the start rather than broken from a body; it is not a fragment of a statue. The head stands 37 cm high and weighs 3.8 kg. Face and ears have been polished back to red copper, while the hair has been left dark.
The features follow a Thai workshop tradition: one continuous arch for the brows, downcast eyes and long earlobes. Between the brows sits the urna, here an empty recess. The hair is built up from spiral curls. Above it rises the ushnisha, the cranial protuberance that stands for the Buddha's enlightened wisdom. Here it takes the form of a separate cap with curls and a smooth, drop-shaped finial. The finial is neither a Thai flame with an opening nor a Burmese ushnisha knob.
The head is hollow, cast by the lost-wax method. The curls belong to the casting itself and were not applied afterwards. The ushnisha cap was cast separately and lifts off, leaving a visible seam on the hair. The contrast between the polished copper face and the dark hair, with turquoise deposits on the neck rim and in patches in the hair, points to a cleaned twentieth-century foundry piece rather than an undisturbed old patina. It is not a nineteenth-century piece, not a temple fragment and not historical Sukhothai.
Downcast eyes, a continuous brow arch, an empty urna recess and elongated earlobes. The hair is made up of spiral curls. The ushnisha is cast separately and lifts off: curls topped by a smooth, drop-shaped finial rather than a flame. The neck rim is finished, so this is not a fragment of a figure.
Stable, ears intact, no breaks. The face has been polished to red copper. The hair is dark, with turquoise deposits on the neck rim and in patches in the hair. Small scratches and casting pits on the face, white oxidation on the ears. The urna is empty: its inlay is missing or was never fitted. There is a seam between cap and hair.
Each object is examined before it is offered: material, casting or carving technique, surface, and signs of age are compared with documented references. You will receive a certificate of authenticity and an official invoice detailing the period, material, and available provenance.
Fully insured worldwide shipping in museum-quality packaging. Returns are sent to our Dutch address and you have a 14-day cooling-off period.
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Pay securely at checkout with credit card, Klarna, Apple Pay, or Google Pay. The certificate of authenticity and the invoice are included in the price.
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