Shan, Mandalay & Myanmar
Burmese Buddha Statues
Burmese Buddha Statues from MyanmarBuddhist sculpture from Myanmar developed through a long sequence of regional and court traditions. This collection includes works associated with Burmese, Shan...
Pieces in Burmese Buddha Statues
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Antique Gilded Wooden Buddha – Myanmar Mandalay Style – Glass Inlay
€1.480,00 -
Antique Kinnari, Burma (Myanmar), Mandalay style, ca. 1880–1920 Solid hand-carved teak Pre-1926 antique
€545,00 -
Antique Burmese Nat-Spirit – Gilded Wooden Temple Statue, Myanmar, ca. 1900
€595,00 -
Standing Burmese Nat-Spirit Deva – Mandalay Style Myanmar ca. 1930–1950
€495,00 -
Burmese Gilded Wooden Buddha with Glass Inlay – Mandalay Style Myanmar
€295,00 -
95 cm Large Monumental Wooden Buddha Burma | 32 kg | Inlaid Eyes
€685,00 -
Antique Fiery Red Hand-Turned Lacquerware Ginger Jar with Lid – ca. 1900
€219,00 -
Burmese Buddha monumental temple giant, no less than 193 cm high and 86 cm wide!
€16.800,00 -
Antique Bronze Burmese Buddha Statue with Begging Bowl – 24.2 kg
€2.850,00 -
Antique Burmese Mandalay Buddha Statue – Gilded Wood with Inlaid Eyes – Myanmar ca. 1880–1920
€1.985,00 -
Antique Burmese Mandalay Buddha Statue – Gilded Wood with Glass Decoration – Myanmar ca. 1880–1920
€895,00
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Burmese Buddha Statues
Burmese Buddha Statues from Myanmar
Buddhist sculpture from Myanmar developed through a long sequence of regional and court traditions. This collection includes works associated with Burmese, Shan and Mandalay styles, in carved wood, bronze, lacquer and gilded surfaces. The familiar serenity of the face can hide substantial differences in date, workshop practice and regional identity.
Shan, Mandalay and earlier traditions
Shan sculpture often favours elongated proportions and a distinctive elegance, while nineteenth-century Mandalay imagery is known for refined facial modelling, broad ornamented robes and extensive gilding in both wood and metal. Earlier Burmese traditions can differ markedly in crown, robe, pedestal and body proportions. These labels are therefore used as attribution frameworks rather than as automatic dates.
Wood, lacquer and bronze
Myanmar has an especially important tradition of carved wooden Buddha images finished with thit-si lacquer, gilding, glass decoration or raised ornament. Wear through these layers can reveal the sequence of an object’s surface history. Old insect channels, shrinkage cracks, repairs and replacement bases are common and are described individually.
Bronze examples are assessed through casting structure, core material where visible, patina, gilding residues and iconography. Bhumisparsha is widespread, but hand gesture alone never establishes a Burmese origin.
Attribution and condition
We separate religious identity, regional style and date. A Buddha can be unmistakably Burmese in visual language while still requiring caution between a nineteenth-century original, an early twentieth-century continuation and a later revival. Material evidence and surface history are used alongside style to narrow that distinction.
Compare these works with Thai Buddha Statues, or explore the material categories Wooden Buddha Statues and Bronze Buddha Statues.
A monumental carved work
For the related tradition of Burmese Buddhist disciples, view our 18th-century teak Medicine Arhat, 151.5 cm. Its object page presents the individual research, condition and photographs.